All the Truth That’s in Me by Julie Berry
Review by M
All the Truth That’s in Me has been nominated for the CILIP
Carnegie Medal 2014.
All the Truth That’s in Me had me from the first page. I
loved it very much. That has as much to do with the story as it does with the
writing.
Judith went missing when she was a young teenager. She returns a few years later, mute, to her community in Roswell Station. Nobody knows where she has been or why and she can’t tell them. Set back when the United States of America was still in its formative years and western ways of life were quite different from today’s, there is no loving welcome for her and she is treated with suspicion as a cursed outcast by her community. While this is bad enough, Judith has no time for wallowing in self pity and is treacherously defiant about the loss of the love of her whole life. All the Truth That’s in Me reads like a eulogising ode: To Lucas, from Judith.
At face value, this is an unrequited love story, smouldering
and intense. It’s mournful and yearning, in the way of odes, elegies and praise
poetry. But, through its praising and its questioning, Judith’s narrative is
also suspenseful and the whole story turns on a couple of whodunit questions.
A
girl has been murdered and Homelander invaders threaten. Rumours taken as truth for answers abound. As the story progresses, many readers will
fill in the story’s gaps correctly. For me, these came as light relief from
what was otherwise a very intense and absorbing read.
All the Truth That’s in Me is a short novel (perhaps even
novella?) and the reading experience is similar to last year’s Carnegie
shortlisted, The Weight of Water. While The Weight of Water was written as
poetry and was a light-but-substantial read, All the Truth That’s in Me is not a poem and
it is darkly, deeply intense.
The overwhelming feeling that this novel is a poetic ode or
eulogy, to Lucas, is further enhanced by this ‘verselike-diary entry’
structure. Again, this also gives it the quality of a testament, which
narratively it is, in more ways than one.
The chapter structure feels like verses from the Bible and is
thematically very fitting as Judith’s community is deeply and often rigidly
religious. With references to Greek myths, I also can’t stop thinking of Keat’s
Ode on a Grecian Urn. I love it when a novel sends me off on a search.
This is a little book but it is quite as long as it should
be. I dare any of you not to fall head over heels for Lucas (and that’s
something I may never have said on this blog before!?). Judith’s ode does its
work and I loved it. It was enormously satisfying. Far and away, All the Truth
That’s in Me has been one of the most captivating books I’ve read all year.
This novel has adult themes suited to the ages of its
characters who, at times, are about eighteen and twenty-something. But, these
issues are treated in a way that makes this novel easily suitable for secondary
school shadowing groups. Visions of things that might not have happened in the
story may fill the mind of the reader in much the same way that they did the
judging minds of Roswell Station’s community.
This novel may also prompt some readers to find out
more about Joan of Arc.
Publication details: 2013, Templar, Surrey, hardback
This copy: review copy from the publisher
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