Hostage Three - Nick Lake

Hostage Three by Nick Lake

Review by M

Hostage Three has been nominated and longlisted for the Carnegie 2014 medal.

 

Pirate or banker? Can you tell the difference?

The opening scene is of a teenage girl, Hostage Three, who is being held hostage by pirates at gunpoint. I thought the novel would just be a bloody crime thriller for young adults (which is fine if you like that sort of thing), but it isn’t. It’s a thrilling and thought-provoking read that takes the reader right into the mucky heart of contemporary global economics and the psychologies of unequal relationships.

Like In Darkness, the chapters alternate to tell the stories of two characters whose lives are interwoven. The relationship between rich hostage Amy and poor Somali pirate Farouz provides the pivotal tension for the novel’s plot and its themes. But, unlike In Darkness, the whole novel is told from just one character’s perspective - Amy. This singular perspective probably broadens the novel’s appeal and accessibility but it also loses the distinct voices that carry In Darkness.

 

The novel’s last section, which is really an extended ending, was a disappointment. While I’m a fan of this sort of meta-fiction (playing with your audience and highlighting the ‘craft of fiction’) it didn’t really work for me and the story left me in disbelief. But for teen readers who haven’t come across this sort of thing in fiction, it will be a talking point.

I’d recommend this novel as a quick, thrilling and thought-provoking read and it exceeded my initial expectations tremendously. It reminded me considerably of Ann Patchett’s adult novel, Bel Canto. While Hostage Three doesn’t have the literary punch of In Darkness, Nick Lake has firmly cemented himself as a YA author who grapples successfully with big and controversially complex international (and psychological) issues. I am likely to buy his books without hesitation.  

 

Publication details: Bloomsbury, Jan 2013, London, hardback

This copy: received for review from the publisher

Phoenix - SF Said

Phoenix by SF Said

Review by M

Phoenix is a soaring space quest story packed full of starry action, adventure, science, myth, colourful characters and wowsome illustrated pages. It’s a compelling and beautiful pageturner.

Lucky’s world on Phoenix is falling apart: he doesn’t know his dad, he’s lost his mum in more ways than one, he’s carrying some illegal kit while the sky is splitting apart and discovers that unmentionable things are happening to him when he’s asleep and dreaming. All of this happens in the middle of an ongoing inter-celestial battle between the Humans and the enemy Aliens (horn-headed, hoof-footed Axxa). On top of this, Lucky’s off on a quest to find his dad and the best way it seems to do this is to hitch a rocket ride with a bunch of very frightening Aliens. They eat eyeballs, you know! The ride is very bumpy and there are all sorts of deceptions and revelations along the way. There are numerable sad losses too.

Author SF Said writes Lucky’s space quest adventure in engaging and occasionally mesmerising words that are vividly enhanced by pages of beguiling illustrations (thanks to illustrator Dave McKean). As the quest progresses and we learn more about Lucky and his dangerous power, we also learn that there are twelve ‘gods’ who will be unable to save the celestial world from the wolf that eats the stars. A second quest ensues and yes, some aspects of the plot are a bit contrived and coincidental.



12 doublespreads like this depicting the 'gods'/Astraeus

Skirting the action-adventure of the quest and just beneath its shiny but grimy sci-fi surface, the novel explores themes of race, religion, deception, right and wrong, choice, and war. More than anything, Phoenix is a pacifist’s heaven that rings the peace message loudly: war, war is stupid......but very complicated too. Unexpectedly, the novel also injects some deep-seated and properly bittersweet romantic elements too. A satisfying but heartbreaking resolution becomes beautiful and slightly teary.

Overall, this is an exciting story weaving together multiple sub-plots and sub-texts in a way that should make much of it readily accessible to young readers. There are also many plot elements that point towards the potential for numerous allegorical interpretations. Those that sprung to mind for me were many religious stories, particularly the Age of Aquarius, and also Plato’s Allegory of the Cave. There are plenty of shadows and deceptions in Phoenix! Unravelling and linking all these allegorical clues can be a lot of fun for the readers, and even young ones will spot some of these.

For colourful characters, apart from Lucky, my heart was taken by Bixa Quicksilver, an Astral Martial Arts fighter with glowing needles in her hair; a couple of old-wizened Startalkers; and Bazooka, a phoenix.

Unusually, I’d also highly recommend watching the book trailer before reading: it’s just the opening pages of the book being read aloud but it is completely captivating and sets a beautiful, glowing tone to the novel.

Following the navigational quest theme, I don’t need an astronomer nor a mariner’s astrolabe to know that for me, Phoenix is this year’s A Boy anda Bear in a Boat. My hunch is that it will attract a much broader story loving audience, especially among newly confident readers who hunger for the thrills often housed in whopping big tomes.

  

Publication details: David Fickling Books, August 2013, Oxford, hardback

This copy: received for review from the publisher



This video is made up of the illustrations that appear in the book! Pages and pages of them.....

Yellowcake - M's review

Yellowcake by Margo Lanagan

 

Yellowcake is very good and I’d highly recommend it to a variety of people of all ages. It’s a fantasy collection of ten short stories.  They’re all a bit weird, thought-provoking and rumbling. I’ve heard some readers say they enjoy fantasy because it provides a form of escapism. Yellowcake is quite the opposite and forces you to look at biological human life and social associations in a very non-sentimental, yet richly magical, consideration of mortality. As a whole, the collection seems to explore relationships through all of the seven senses and gets stuck right into the stickiness of our living, decaying and judged physicalities. Anyone interested in inclusion and diversities should take a look at this anthology.

If, like me, you’re neither a short story nor a fantasy fan but enjoy a good story and are curious, Yellowcake will probably appeal to you. The stories are short enough for quick dips. And now, I may return to reading Lanagan’s novels because her writing is gorgeous and her ideas are both playful and daring: I started reading her novel, The Brides of Rollrock Island, a while back, and while the writing was atmospheric and compelling it was a bit too discomforting for me. The short stories in Yellowcake are similar – atmospheric and compelling – and they push you: but because they’re short they let you go from the detail quicker than a novel and I really liked that. But of course, short stories leave so much unsaid leaving you to fill in lots and lots of gaps – if you dare.

 

My favourite stories included 'Ferryman' (living people who ferry the dead), 'Night of the Firstlings' (based on a biblical story) and 'The Point of Roses' (altogether unusual and if you can’t smell roses while readers it...!). My least favourite story was 'An Honest Day’s Work' (all about dissecting a creature).

Yellowcake has nothing to do with yellow, cake or nuclear production. Once you’ve finished reading, make of the title what you will – Lanagan has confirmed it has nothing to do with any of the stories but that each of her short story collections has a colour in the title.

 

Reviewed by M

 

Publication details: David Fickling Books, June 2013, Oxford, paperback (originally published in Australia, 2011)

This copy: received for review from the publisher

To Kill A Mockingbird - M's review

To Kill A Mockingbird by Harper Lee

I first read To Kill A Mockingbird at school when I was sixteen. Like The Beadle, I noted on my Reading list that it was ‘OK’. But, again like The Beadle, I’ve always recalled enjoying them. I could never remember all the details but something about them had played around in my head. Now, I’ve just reread To Kill A Mockingbird for my Classics Club challenge. It’s my second reread for leisure ever (The Beadle was my first!). And I loved it.

To Kill A Mockingbird by Harper Lee

For those readers who are not familiar with To Kill A Mockingbird, it’s a story about the events that led to a thirteen year old boy breaking his elbow. It’s set in a 1930s small town in Alabama, USA. The story is narrated by Scout (aka Jean Louise Finch), who is probably a grown woman when she recounts a story about a time when she was eight years old, living with her brother, Jem, and her father, Atticus, who is a lawyer about to defend a Negro who has been accused of a crime for which the punishment is death. Scout’s story is about growing up, perpetuating social prejudices and standing up to  them too.  She doesn’t hide anything in her story (as least I don’t think she does) but she realises that much was hidden from her.

Racial prejudice is an obvious and substantial theme in the novel and one that I remembered from my earlier reading. What I had forgotten (and possibly not even have understood that brilliantly!) were the other prejudices and social mores that the novel explores, criticises and humours. The children’s tormenting and embellishing stories about reclusive Boo Radley is an obvious one. Disabilities and social class are others. Gender and growing up as a girl in a society that expects you to turn into ‘a lady’ is another one, and as it is Scout who is narrating, this is probably more a central thread of this novel than racial prejudice (but, I also spot gender issues more - remember, this review is my narrative). All of these themes and sub-plots are woven together in a very charming yet slightly shivery way.

The majority of the characters in the novel are very likeable. Very. Apart from the few who are horrid (Atticus definitely loves more people than I do).  Jem is lovely. Scout is adorable and gives voice to frustrations that must plague many girls (and boys too) – like what you should wear, how you should behave, what you can and can’t do – just because you are a girl as opposed to a boy. Within this context, it’s hardly surprising then that rape features. While only lightly explored as an issue, this is not in a dismissive way. While all the characters are reluctant to speak about it, including Atticus, Atticus also makes it clear that it is a crime that concerns him and is bigger than what is being voiced. And Atticus of course, is the novel’s moral compass.

The novel is full of heroes. There’s Scout, in her many flawed guises. There’s the real, heartbreakingly tragic hero who we don’t learn too much about – but we learn enough. And of course, there’s Atticus Finch. Scout’s father embodies the real hero in this novel. He’s almost perfect (in my eyes, maybe he would be if he didn’t side with Aunt Alexandra a little too much: that’s the Scout in me lurching out!) but he’s not Superman. Throughout the novel, more than I’ve pointed out, there are lots of interesting bits that explore the concepts of cowardice and bravery.

While the lighthearted daily fun and games and mishaps that happen to adventurous eight and twelve year olds fill the pages to provide humour, the novel instils a sense of foreboding that traverses many of the sub or parallel plots in the story: what bad thing is going to happen at the Radley place, who’s going to get hurt or killed, will Tom get off, who is to blame? Once you’ve finished the novel, go back and read the first three paragraphs again. Scout and Jem are offering up different explanations and interpretations. Atticus of course, is the judge!

This sense of foreboding is partly heightened by the slow pace of the novel. The focus in this novel is definitely on the characters and themes. There is a lot of plot but it meanders lazily over a couple of summers. The novel is a bit like the hot, sleepy town that is its Maycomb setting.

To Kill A Mockingbird is one of those novels that some people would describe as a very quotable novel: Dill’s mixed up comment about joining the circus because people are laughable ; Scout’s view that there is only one type of people: everyone; Atticus on why we shouldn’t kill a mockingbird.

It is also a very sad novel. It passes commentary based on real events where sadness understates how terrible they were and it is also sad when you think about how we make judgements about people and things and act on these. Atticus would say that’s exactly what is wrong with circumstantial evidence.

I can see why it’s studied at school. There is so much packed into this shortish book that you could discuss it forever both as a literary work but especially for the themes that run through it. But, if you’re like me and find that reading a set text at school ruins the pleasure of reading a novel for you, then make sure you read this before it comes up at school – or reread it when you’re older, like I have. To Kill A Mockingbird has not only jumped from OK for me, it’s probably gone to one of my all time favourite novels. I’m a bit sad to have finished it. Harper Lee should have written a sequel.

For any teens who were interested in the death penalty debates raised in Annabel Pitcher’s Ketchup Clouds, To Kill A Mockingbird will be right up your street.

 

My Classics Club verdict: Not that anyone would believe me if I said otherwise but definitely it’s a classic. Wonderful in so many ways.

 

(Gosh; that was a bit long. It’s so I don’t forget why I liked it so much. Or what things it made play around in my head. For when I’m old and really grey – or just forgetful.)

Publication details: 2004, Vintage, London, paperback (first published 1960)

This copy: my own

The Weight of Water - M's review

The Weight of Water by Sarah Crossan

 

The Weight of Water has been nominated for the 2013 Carnegie medal. It is a quick and enchanting read, and I really can’t recommend it highly enough. I read it a few weeks back, made some notes and now....I actually can't fault it. Amazing.

The Weight of Water tells a contemporary tale about twelve year old Kasienka. She travels with her mother from Poland to England. They are in search of her father and have little money. The unwinding story is a familiar bildungsroman of a twelve year old immigrant who is the new girl in school trying to understand and form her own identity. Within this story, the main plot with its heavy themes of bullying, loss and immigration are lightly buoyed  by the sweet-and-scary joys of pursuing  interests, love and the prospects of newfound  happiness.

What makes this story truly beautiful though, is the way it is told. The Weight of Water consists of a set of poems. Its form takes a poetic shape but uses narrative prose to great effect. At first, I was alarmed when I saw the unfamiliar shape of poetry lines in the pages of this novel rather than the familiar chunks of paragraphs. But, the writing has a beguiling rhythm which adds a simple but beautiful flow to what is an easy story to follow. It is an engrossing story that you’ll read easily in a single sitting. Or in little bits if that’s what you prefer.

The Weight of Water by Sarah Crossan

Here are some of my further thoughts about the book in relation to the Carnegie shadowing criteria that we're using:

My first impression of Kasienka was that she was a good girl who felt loved and loved her family – although she felt terrible that her dad had left them. She seemed like a pleasant child who tried hard and was content. The descriptions of Kasienka’s thoughts, looks, behaviour are all very plausible and aspects of them are likely to be familiar to most people, especially twelve year old but nearly thirteen year olds girls.

Many of the main characters change as the novel progresses. While the plot is important and strong, the main focus is on how the main characters in this novel, Kasienka and her mother, adapt to their changing environment and relationships in England.

Kasienka has important relationships with a number of adults and students at school. Some of these relationships are positive and supportive, others are more negative. Many of these relationships change.

Despite the poetry, the language (vocabulary and syntax) is straightforward. The story dives straight in with Kasienka and her mother leaving Poland with just an old suitcase and a laundry bag. From the first page, you know already that this change in their life is not going to be easy.

The Weight of Water is told from Kasienka’s point of view. There is very little dialogue with other characters but there is a lot of internal dialogue. There is also a lot of description which helps to fill in the details of the story and to create an atmosphere of passing time and change. However, Crossan does not linger on irrelevant detail and the story moves swiftly, flitting past that which is not integral to the main developments of the character and plot.

The main plot about Kasienka and her mother's move to England in search of her father is well-supported and enhanced by the interweaved sub-plots. For me, it is the sub-plot around developing personal identity which are the highlight of this story.

 

This book definitely stays with you after you have finished it. You know where you finish the last page and just sit staring......and wondering what happens next in the characters' lives? And then wish you could quickly find someone else who has read it so you can talk about it with them? Yes, it was like that for me.

This book would probably fit into a contemporary genre because it is set in current times and is realistic (but you might also find it on the poetry shelves).

I would recommend this novel to readers approximately 11+ and think that it could have a broad appeal to a variety of readers.

 

 

Publication details:

Bloomsbury, January 2012, London, hardback

 

This copy: received for Carnegie reviewing from the publisher

 

Knife Edge - M's Review

Knife Edge by Malorie Blackman

 

Knife Edge is the second novel in Malorie Blackman’s Noughts & Crosses sequence. If you haven’t read Noughts & Crosses, you can read my review here. Please note that there are spoilers for Noughts & Crosses from the third paragraph onwards in this review of Knife Edge.

Billed by some as a dystopian novel, Knife Edge doesn’t read like one for me. For me, it's much more like a gritty contemporary crime novel for teens. The only apparent aspect that is speculative in Knife Edge is that domination by race is reversed – so blacks (Crosses) over whites (noughts).  While this was interesting in the first book, Noughts & Crosses, it feels a bit repetitive in Knife Edge.

 

SPOILER ALERT!! SPOILER ALERT!!! DO NOT read on if you wish to avoid small spoilers for the first novel, Noughts & Crosses.

Knife Edge (Noughts & Crosses #2) by Malorie Blackman

 

Knife Edge is a story about loneliness, revenge, discrimination and motherhood. It continues Sephy’s story. In Noughts & Crosses, her story ran parallel to Callum’s story. In Knife Edge, her story runs parallel to Jude’s, Callum’s brother. Sephy is now a single teen mother estranged from her powerful Cross family, and she has to get on with her life.  Jude, is a terrorist in hiding, he wants revenge – and he’s desperately lonely.  

Like Noughts & Crosses, Knife Edge is written from the different characters' points of view. But in the last sections of the novel, the story is also told from Jasmine and Meggie’s perspective, Sephy and Callum’s mothers respectively. The novel is also divided up into sections which are titled by colours that make up a rainbow. Rainbows and mothers are interweaved themes that run through Knife Edge and these could make very interesting discussions for reading groups.

Malorie Blackman describes Noughts & Crosses as being her novel about love while Knife Edge is her novel about hate. I don’t see it this way. Yes, Noughts & Crosses might be about love but that is not what stood out for me most. And yes, there is definitely hate in Knife Edge. A lot of hate and some of the characters are truly hateful. But I would describe Knife Edge as being the book about mothers and how motherhood affects their lives and the choices they make: Jasmine, Meggie and now Sephy too (remember, she’s a teenage mum).

Aspects of Knife Edge's plot and particularly the storytelling from the mothers' perspectives reminded me of Sindiwe Magona's novel, Mother To Mother, which told the fictionalised account of a high-profile racial killing in Cape Town.

The ending to Noughts & Crosses shocked me, and if shock factor is what you’re after, Knife Edge will deliver. There are plenty of shockers in it. I didn’t like that but, of course, that might be the point of the Noughts & Crosses sequence – racial discrimination is not a happy life. Nor is any form of discrimination. More and more, I’ve started to notice that the treatment of women by men in the Noughts & Crosses sequence so far is vile. another dimension to explore in reading groups...

On a more positive note, the Noughts and Cross characters alike make some awful choices that impact badly on themselves and others around them. Blackman doesn’t impose her views on the story and it’s left up to the reader to deal with the moral issues that form the backbone of the sequence. But for me, Knife Edge is a bit too dark and gloomy.

Publication details:

Corgi, 2012 (new edition), London, paperback

 This copy: received for review from the publisher

More Diverse Universe Blog Tour

Aarti at BookLust is hosting A More Diverse Universe blog tour which celebrates speculative fiction written by people of colour.

Malorie Blackman: Noughts & Crosses

 

For my post, I've chosen Malorie Blackman's Noughts & Crosses. Noughts & Crosses was Malorie Blackman's first direct treatment of racism in her novels. It is based on an alternative history which pretty much amounts to a flipped apartheid. It's a harsh and brutal story that doesn't hold back its punches. And it's great for teens today.

The reason I've chosen Noughts & Crosses is for three reasons:

1) It's a book that really gets under my skin because although speculative, much of the material in the book is based on past and current happenings (just switched);

2) No matter how often I remind myself that Noughts are white and Crosses are black, in my mind's eye, I flip them back. Just an observation......;

3) New editions for the four book sequence have just been published in the UK and the new jackets are still quite stark but with a splash of colour and more grit. Covers that, in my opinion, reflect the content of the novels perfectly.

Here is the link to my earlier review of Noughts & Crosses, the first book in the sequence (you'll see how the cover has changed too).

The new covers for the Noughts & Crosses sequence

 

 

You can find out more about Malorie Blackman on her website.

 

Raimy-Rawr has been running a Noughts & Crosses week on her blog, Readaraptor.

This the schedule for A More Diverse Universe Blog Tour 23-29 September 2012.

 

Thanks to Corgi (Random House UK) for sending me copies of the sequence.

 

 

Review - Noughts & Crosses

 Noughts & Crosses by Malorie Blackman

Noughts & Crosses - Malorie Blackman

Noughts & Crosses is a critically acclaimed alternate history that tackles racism, oppression and rebellion. But it tastes like Marmite. You’ll either love it or hate it.

Noughts & Crosses tells the story of Callum and Sephy who live in a society that is cruelly ruled by the dark-skinned Crosses at the expense of the almost-enslaved light-skinned noughts. Callum is a nought and Sephy is a Cross. Once childhood friends, an event happens that tears their families apart. From all parts of the community, brakes are harshly applied to their continued and blossoming relationship. Noughts & Crosses is Callum and Sephy’s tale.

The dual narration by Callum and Sephy works really well and, for me, is flawed only by the similarity of the two voices.  I didn't think they were distinct enough and I had to keep flipping back to the header to see whose tale was being told.

There is a lot of plot movement.  Too much for me but perhaps this is what many Young Adult audiences relish. And more importantly, a busy plot signifies the multiple difficulties that many people deal with on a daily basis - especially in societies that set out to destroy the very fabric of your souls.

It’s certainly not an enjoyable read but I don’t think it was meant to be. What I usually love about alternate realities is the hope they provide for the future.  Sadly, Noughts & Crosses lacked this for me and by the end it really felt like a punch in the stomach. On Malorie Blackman’s own website, she admits that there is mixed feeling over the ending. As a result, some readers may find it unsatisfactory.  I know I’m one of them. But there are plenty of readers who don't feel this way.

Perhaps the thing that stands out for me most in the novel is the issue of choices, consequences and individual action. So many characters make really bad choices and the unexpected (and sometimes unintended) consequences are very painful – and far reaching. After the punch that this novel delivered, which left me feeling cold inside (as Callum felt too), I’m starting to find peace with the novel. I see it now as an indictment against forms of violent action – and a call for people to think their choices through.

Noughts & Crosses is the first in a series of books (all of which are published so available to buy or borrow from libraries).

The copy I read has a warning printed on the back cover: Not suitable for younger readers.  I think anyone recommending this to a young teen should do so believing that the child has the mental maturity to evaluate the actions characters take in this novel.

Publication details:

Corgi (Random House), 2006, London, paperback (special edition including An Eye For an Eye)

This copy: our own

                      

Review - Wonder

Wonder by RJ Palacio

Wonder - RJ Palacio

My goodness, Wonder is RJ Palacio’s debut novel and it rocks!  But somehow this book has ended up on Little M’s bookshelf.  I wonder if she’ll miss it if I move it to a prominent position on my bookshelf??!!! Wonder is simply beautiful and it deserves a special spot on a bookshelf so that when someone comes into the house I can casually say, “Oh yeah, that’s a really good book for anyone to read”.

Auggie is 10 years old and suffers from a horrible face defect that makes him look beastly. People shy away when they see his face. It is a miracle that he survived birth, he has had numerous surgeries, and he has never attended a school. Contrary to the jacket image, he does have two eyes but he doesn’t really have ears, he has a snouty mouth like a tortoise, and eating and hearing are difficult for him. He has had a really, really rough start to life and it doesn’t seem to be getting any easier just yet. But now, his mother thinks it’s a good idea for him to start middle school. Just great.

The story begins with Auggie narrating and you heart just wants to break for him.You can probably imagine how awful it must be for him with everyone staring, whispering, avoiding him; and you think things couldn’t get worse. But then on page 77, about a quarter of the way through, they do.  I’m sure my heart stopped for a very long second.  It was as if time froze and all the life in me dropped right down to my toes and everything went cold. Oh Auggie….

And with your heart in your toes, the story continues…. but from the perspective of other characters – Via, Summer, Jack, Justin, Miranda. It occasionally returns to Auggie’s perspective and it ends with his voice, a voice that is so different from the moment you first met him at the beginning of the story. Interestingly, none of these narrators are adults so the whole book is from children’s points of view.

Wonder brings two other recent reads to mind. The Curious Incident of the Dog in the Night-Time by Mark Haddon which has a much older central character. But he too has a disability which causes problems with social interactions. There are also echoes of Annabel Pitcher’s My Sister Lives on the Mantelpiece which come through in the main characters' voices. For me, what stands out in Wonder particularly in comparison to these two novels is the portrayal of the adult characters.  None of these novels include an adult narrator but most of the adult characters in The Curious Incident of the Dog in the Night-Time and in My Sister Lives on the Mantelpiece are portrayed as quite vile. In contrast, most of the adults in Wonder are kind, loving and supportive. And what is remarkable about this is how it affects the overall tone of the novel.  There are no magic fixes but Wonder is honest, it is humbling and incredibly uplifting. 

What is so special about Wonder too, is that it is a book for every reader.  Anyone who has the technical ability to read it could enjoy it immensely. Wonder is definitely on my list of best books ever.  It’s sitting there snugly next to Alice Walker’s The Color Purple (which I definitely would not recommend to younger readers!).

Wonder will make you do a double take about the way you look at the world and treat people.  Wonder is simply wonderful.

Publication details:

2012, Bodley Head, London, hardback

This copy: Bought by us