We sat down for a chat...with Katherine Rundell
Katherine Rundell has a freeing sense of humour and
is the author of the marvellous Rooftoppers, which has been longlisted for the
Carnegie medal 2014. We haven’t asked her about growing up in Zimbabwe, or
living in Brussels, or whether she’s currently working on anything other than
her doctorate. We asked her other things instead.
WSD: Never ignore a possible. This is what Charles
Maxim teaches Sophie in Rooftoppers. Katherine,what have been your most
adventurous or unexpected 'possibles'? And, have you ever ignored a possible?
I was once told it was possible to climb across more than half of the Oxford colleges without touching the ground - that was both an exciting possible, when we tried (and failed), and the root of Rooftoppers. I have ignored possibles, and I regret the things I've not done far more than the many, many stupid things I have done. Like Molière says - 'It's not only what we do, but also what we do not do, for which we are accountable'. The world is too huge and extraordinary for us to be sceptical of hope.
WSD: I
compared your character, Sophie, to Pippi Longstocking. Are there any literary
(or even real life) characters who have inspired your stories?
Katherine
Rundell:
I
think Eva Ibbotson's characters were a great inspiration; they have a gorgeous
sense of inquisitiveness, and they are unafraid to have wild, bone-deep
enthusiasms, which I loved as a child. And, because my doctorate is on
Renaissance literature, there are a few Shakespearean-heroine jokes in there.
WSD: I read that you do a cartwheel everyday and
that you compare it to the experience of reading. Can you say a bit more about
this please? (And did you ever want to be a gymnast or trapeze artiste?)
Katherine
Rundell:I think reading is such a huge and varied thing that you could probably compare it to anything in the world - because at bottom, reading fiction is to temporarily live another life entire. But I meant - cartwheeling wakes you up, shakes you down, makes you see the world from a different angle, and so does reading. (Yes, I did want to be an acrobat, once! I have a tightrope in my study at All Souls, and walk it every day. In the first draft of Rooftoppers, Matteo was a lot more of a show-off with his parkour, and the working title was The Acrobats.)
WSD: Do
you play a musical instrument?
Katherine
Rundell:
No,
alas! I wish I played the cello: I think it is the most beautiful of
instruments. But my brother is a professional percussionist, and I loiter in
jazz bars and listen to Rahsaan Roland Kirk and Bird while I write.
WSD: If
you were shipwrecked, what would you most likely be found floating on?
Katherine
Rundell:
Ooh
good question! A grand piano. (Or, realistically: a lifeboat, please.)
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